Co-creating impact: why universities and communities should work together

Kate Pahl and Keri Facer, authors of Valuing interdisciplinary collaborative research, discuss the value of co-production and collaboration between academic researchers and community projects. 

Valuing Interdisciplinary Collaborative Research will be launched at the Co-Creating Cities & Communities Summer Event today in Bristol #ahrcconnect #citiesandcoms2017 @ahrcconnect

Kate Pahl

Keri Facer

“Increasingly, universities are being asked to work with communities in more inclusive, collaborative and ethical ways, but their processes and practices are often overlooked, particularly within the arts and humanities.

University ways of knowing and doing are only one part of research and new conceptual tools are needed to make sense of this. This makes for a new and exciting research landscape.

“Impact isn’t just about academics doing brilliant, original research… impact is co-created.”

The ‘impact’ agenda needs to shift to recognise the nature of ‘co-produced impact’. That is, impact isn’t just about academics doing brilliant, original research which is written up in articles and then re-produced in different forms to a grateful community which draws on this research.

Instead, impact is co-created. People have ideas, in communities and in universities and they work on these together, bringing different knowledges and practices to those questions and ideas. This then produces a different kind of knowledge – richer, more diverse, more carefully located in real and everyday contexts and more relevant.

Connected Communities

The Connected Communities (CC) programme, headed by the AHRC cross-research council, has funded over 300 projects, worked with over 500 collaborating organisations and over 700 academics from universities across the UK, on topics ranging from festivals to community food, from everyday creativity to care homes, from hyper-local journalism to community energy.

‘Valuing Collaborative Interdisciplinary Research’ (Policy Press 2017), the latest volume in the Connected Communities book series, brings together a number of diverse and rich research projects that range from community evaluation, to how community values play out in collaborative research, how decisions on heritage should be made, and on what artists do when they work with academics and communities together with the role of performance in highlighting community concerns.

Many different people contributed to the projects ranging from people from the Heritage Lottery Fund and The Science Museum, to people working within communities as well as within universities.

facer-blog-pic

Some themes which emerge in the book include translation, co-production, dialogic modes of research and tacit and embodied knowledge. A key theme is the nature of knowledge and its production practices . Ways of capturing everyday knowledge, through stories, maps, material objects, conversations and performances, are discussed and considered.

In the book we attempt to map this new world out. We offer a set of helpful ideas and ways forward to articulate what is needed to do this sort of work. We argue that projects like this need to include an element of productive divergence.

“Perhaps if this kind of research was funded more often, surprises like the recent election result wouldn’t have come as so much of a shock.”

The projects are often grounded in the world materially and objects play a strong part. They often involve mess, uncertainty, complexity and a focus on practice and involve translating across different fields, as well as stories as a mode of exchange. Many of the projects draw on tacit and embodied learning that were informed by arts methodologies as well as ideas from sensory and phenomenological perspectives.

Perhaps if this kind of research was funded more often, surprises like the recent election result wouldn’t have come as so much of a shock. Universities need to become more attuned to the voices of communities, to their accounts of what is important and necessary to research. The Connected Communities programme and this book make a start in redressing the balance.

 

Valuing interdisciplinary collaborative research edited by Keri Facer and Kate Pahl is available with 20% discount on the Policy Press website. Order here for £19.99.

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1 Response to “Co-creating impact: why universities and communities should work together”


  1. 1 Carl Lee August 14, 2017 at 5:54 pm

    Connected Communities Programme is a move in the right direction and co-production has significant merit but a fundamental issue is that HE establishments are commercial entities and part of their viability is judged by their academic outputs. Too often research involves materialities from communities (time, resources, locales) which they are not re-imbursed for. A good ‘civic university’ should acknowledge that not only does its spend and the spend of students impact on local communities but their should be a resource ‘trickle down’ that is enabling for community organisations. For example Sheffield University is the 3rd largest economic entity in the Sheffield City region, it has economic power that can be used for wider community benefits. It is nice to support academics in their well-enumerated careers but some quid pro quo would be helpful.


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